The combined Hindi-English edition will have, I believe, real value for students, Indian and foreign, in all language areas of India. It is intended to interpret, while following the text as closely as possible thus at times phrases may seem to differ from the original, but on the whole, I believe, it follows closely Tulsidas’s own words and does not misrepresent even when it departs somewhat from them.
This is not intended as a word-for-word literal translation indeed, such would not be a true translation, for it would often misrepresent in English what the author tried to say in the Indian language of his day. Not that the work is now without blemish in the true spirit of Tulsidas I must acknowledge that there are imperfections, and must ask beforehand, as did he, the patient forbearance of those who note such things. Vyas, who has supervised the preparation especially of the Hindi-English edition, and whose counsel has helped to correct or improve in the English rendering some expressions and interpretations. Atkins says, “My sincere thanks also to his deputy, Dr. The edition of Ramcharitmanas followed for purposes of this rendering has been that of Chaturvedi Dwankaprasad Sharma in close consultation with the editions of Dr Mataprasad Gupta, the Gita Press and Dr Shyam Sundar Das.Ītkins in fact has a word of thankful appreciation to Mr Devadas Gandhi of The Hindustan Times (a son of the Mahatma), who has so readily and generously undertaken, at expensive risk, the publication of the work. All else will, I think, be straightforward. In most places rhythm and smooth reading will indicate whether a vowel is to be pronounced as long or short. But these vowel sounds should not be exaggerated, as is the tendency of some English-speaking people. Accent marks to vowels are not added to indicate proper pronunciation the following hints will help in pronouncing the names and the few words given in Hindi form: ‘a’ is either long as in father, or short as ‘u’ in but ‘a’ is never pronounced as in fat, there is no such vowel sound in Hindi ‘i’ is either short as in it, or long as ‘ee’ in feet (Sita is pronounced Seeta, but Siva has I as in it) ‘u’ is short as in put, or long as in rule ‘e’ is always as ‘a’ in fate (never as in get) ‘ai’ gives the sound of ‘i’ as in kite ‘o’ as in note (never as in got) and ‘au’ as ‘ow’ in how. The chaupais and dohas, one generally following the other, are the common poetic forms for narrative or expression of thought.
The soratha is generally used to quieten or slow down the narrative after an uplifting session. The chhand is infrequent it is generally given when the story reaches some ecstatic and intense point.
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Get chants, stories, temples, wallpapers and more.ĭownload Android App Ramcharitmanas Verse StructureĪs guidance for reading, note that the Invocations from Sanskrit are to be read with no syllabic stress but the other forms - chaupais, dohas, sorathas and chhands - will, I am sure, give their own stress and rhythm as they are read.
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